TEXT:

Q&A: Art Gallery of Ontario Artist Spotlight, 2020.

Review of The dirt under my nails at Centre CLARK, by Emma Sharpe. Canadian Art, 2019.

Review of Every Empire has an End at Franz Kaka, by Angel Callander. Public Parking, 2019.

Review of a room at the center of the world surrounded by the noise of men at Interface, by Emma Drew. KQED Arts, 2018.

Review of Orientering by Øivind Storm Bjerke. VISP, 2018.

Review of How deep is your love? at COOPER COLE, by Alex Bowron. esse arts + opinions, 2017.




WRITING:

Review of HaeAhn Paul Kwon Kajander at Franz Kaka, Canadian Art online, October 2019

"A Body Knots: Laurie Kang at Gallery TPW", Peripheral Review, November 2018

The Mastication of Alina Szapocznikow, a chapbook printed by Blank Cheque Press

June 2018: Brie Ruais: Attempting to Hold the Landscape 2016–2017, review printed in C Magazine, Issue 138

coins and tokens, text written for exhibition Orientering, invited by Entrée, Bergen Norway 2018
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How deep is your love?, text for curated exhibition at Cooper Cole, Toronto 2017
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Aiko Hachisuka; Pro Weight, written for exhibition, All the Names at Scrap Metal, Toronto 2017
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always with, exhibition text for solo exhibition at Stride Gallery, Calgary CA 2017
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Swamp Water, text for Dear Stranger, a two-person exhibition with Lindsay Lawson at Entrée Gallery, Bergen Norway 2017
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In a world of weeds, all roses are wild, text for solo exhibition at Beautiful Gallery, Chicago 2016
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Kate Newby, text for Kate Newby’s solo exhibition Tuesday evening. Sunday afternoon. Stony Lake. at Cooper Cole, Toronto 2016
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The Extrovert, text written in collaboration with Danielle St. Amour for solo exhibition at Cooper Cole, Toronto Canada, 2016
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The cut flower still blooms, text for solo exhibition at 8-11, Toronto Canada 2015
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Alphabet Soup, text for Kim Neudorf's solo exhibition, THE FOLD-UP, THE GET-UP, THE MOVE ABOUT at Evans Contemporary, Peterborough Canada 2014
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